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The cigarette smoke was adsorbed in 1 M HCl in a similar way as described by Kubalek et al

Long after his death in 1950 director John Stahl was described by Andrew Sarris as a neglected pre-Sirkian figure, and with Natalie Kalmus making sure the images were clean and bright Leon Shamroys Oscar-winning Technicolor photography was not then permitted the dramatic high-contrast look Russell Metty created ten years later for Douglas Sirk at Universal (the lens flare at one critical moment probably made it into the final print only because it was in a scene shot on location and Technicolor therefore couldnt insist upon it being re-shot)

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Attach an additional sheet with their details if you have multiple managers