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Wallace Reid. As a scholar of pioneering filmmaker Dorothy Arzner, I have always described her as the only American woman with a directing career from the late silent era through the early 1940s. (A one-movie exception was Wanda Tuchock, co-director of 1934s unmemorable Finishing School .) But a May 31 item in The New Yorker by critic Richard Brody alerted me to another female cineaste, with his favorable write-up of a film called The Woman Condemned (1934) made by a Dorothy Davenport
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