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The power of these particular women is expressed in the visual style by their dominance in composition, camera movement, and how they are lit. From Mary Beth Haralovich Chapter- Movies and Landscapes in-American Cinema of the 1950s Themes and Variations edited by Murray Pomerance A characters mental landscape is written on the mise-en-scne in the film, the bodies of the actors and in their subjective visions, in their responses to settings that give them solace and to settings that they fear. As Joe Gillis comments to Betty Schaefer in Sunset Blvd Psychopaths sell like hotcakes. In fact like the silent cinema which was once her world, Norma is a ghost there, an empty shadow of the past

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